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From the Editor

Call for Editors

Volume 74, Issue 3, September 2022

Call for Papers

Volume 74, Issue 2, June 2022

Front Cover: still from Vabianna Santos, Beast Script (2019), 4K video and original choreography.

Volume 74, Issue 1, March 2022

Volume 73, Issue 4, December 2021 - Shooting

AI issue cover

Volume 73, Issue 3, September 2021 - AI

Volume 73, Issue 2, June 2021

Volume 73, Number 1, March 2021

Volume 72, Number 4, December 2020

Volume 72, Number 3, September 2020

Judith Hamera Wins Honourable Mention for ATHE Outstanding Article Award

Volume 72, Number 2, June 2020

Volume 72, Number 1, March 2020

Volume 71, Number 4, December 2019

Rebecca Schneider wins Oscar G. Brockett Essay Prize

Theatre Journal non-human special issue cover

Volume 71, Issue 3, September 2019

Volume 71, Issue 2, June 2019

Call for ATHE Journal Editor Positions

Katie Johnson wins ATHE Outstanding Article Award

New Online Editor: Margherita Laera

An Interview with Joanne Tompkins on "The Image of Theatre"

Blog Update: Archives, Numbers, Meaning: The Eighteenth-Century Playbill at Scale

Derek Miller wins Honorable Mention for ATHE Outstanding Essay Prize

New Theatre Journal Co-Editor: E.J. Westlake

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  1. Theatre Journal
  2. Volume 71, Issue 3, September 2019
  3. Rebecca Schneider wins Oscar G. Brockett Essay Prize

Rebecca Schneider wins Oscar G. Brockett Essay Prize

Theatre Journal congratulates Rebecca Schneider, whose essay won the Oscar G. Brockett Essay Prize at the 2019 ASTR Conference. The essay, “That the Past May Yet Have Another Future: Gesture in the Times of Hands Up,” was published in Theatre Journal 70 no. 3 (2018): 285-306. The essay was edited by Jen Parker-Starbuck. Schneider is a Professor of Theatre Arts and Performance Studies at Brown University.

 

Issue
Volume 71, Issue 3, September 2019

About the Author

Rebecca Schneider

Rebecca Schneider, Professor in the Department of Theatre Arts and Performance Studies at Brown University, teaches performance studies, theatre history, and theories of intermedia. She is the author of Remain (Meson Press, 2018 with Jussi Parikka); Theatre & History  (Palgrave 2014), Performing Remains: Art and War in Times of Theatrical Reenactment (Routledge 2011); and The Explicit Body in Performance (Routledge, 1997). 

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