Archives
Volume 72, Number 4, December 2020
Online content:
"Envisioning South Asian Theatre in New Zealand: An Interview with Amit Ohdedar and Jacob Rajan," by Kimberly Jew
"South Africa and the Future of Post-Apartheid Theatre: An Interview with Mark Dornford-May, Artistic Director of Isango Ensemble," by Carla Neuss
Volume 72, Number 3, September 2020
Online Content:
"On the Art of Alchemy and Unfolding Desires: A Conversation with María Magdalena Campos-Pons," by Sarah Lewis-Cappellari
"'I Teach the Audience How to Watch My Shows': An Interview with Kristina Wong," by Sean Metzger
"'We’re in for a future of provocateurs': An Interview with David Yee on Asian Canadian Theatre," by Sean Metzger
Volume 72, Number 2, June 2020
Online Content:
Witnessing Oka Apesvchi / Protecting the Water, by Bethany Hughes
Performance, Climate, and Critical Art, by VK Preston
Volume 72, Number 1, March 2020
"Performing Post-Truth: An Interview with Director Ashlie Corcoran" by Matt Jones
Volume 71, Number 4, December 2019
Online Content:
Stephen Scott-Bottoms, "Holding Back the River"
Ella Parry-Davies, "We Put the Tape Recorder on and Thought about the Sea: A Studio Visit with Karine Wehbé"
Volume 71, Issue 3, September 2019
"The Ethics of Interspecies Performance: Empathy beyond Analogy in Fevered Sleep's Sheep Pig Goat"
Laura Cull Ó Maoilearca
Tracy C. Davis
"The Legend of the White Snake across Mediums"
Tarryn Li-Min Chun
Volume 71, Issue 2, June 2019
Online Article
Judith Hamera, 'Gus Giordano, The Rehearsal, and the Critical Utility of Forgotten Dance Triumphs'
Volume 71, Issue 1 (March 2019)
Online-only article:
Kimberly Jannarone, "Mass Gymnastics: A Playlist"
Volume 70, Issue 4 (December 2018)
Special Issue on Post-Fact Performance
Online articles:
Naila Ansari, "The Absence of the Other Flesh: The Dismissal of Black Lives on the US National Football League Field"
Taylor Black, "Model Talk: Transparency, Percent Prediction, and the 2018 FiveThirtyEight Election Forecast"
Meredith Conti, "The Sound of Silence: A Viewer’s Guide to Emma González’s March for Our Lives Speech"
Volume 70, Issue 3 (September 2018)
Special Issue on Directions
Online articles:
Margherita Laera, "Editorial Comment"
Bess Rowen, "'Undigested Reading' and The New York Neo-Futurists"
Broderick D. V. Chow, "Feeling in Counterpoint: A Playlist"
Elin Diamond, "Reactivating the City: A Situationist-Inspired Map of New York"
Theatre Journal Volume 69 Number 4 (December 2017)
Click on the links below to see the additional material available for Theatre Journal Volume 69 Number 4.
Volume 69, Issue 3 (September 2017)
Photo Supplement for "Wayang in Museums: The Reverse Repatriation of Javanese Puppets" by Matthew Isaac Cohen
Volume 69, Number 1, March 2017
Video clips from Reza Abdoh: Theater Visionary, a documentary film by Adam Soch
The video clips here are taken from the film Reza Abdoh: Theater Visionary, a documentary film by Adam Soch, co-produced by Sandy Cleary. The editorial staff at Theatre Journal is grateful to Adam for providing these clips.
Appendices for "Mostly Young Women with Quite Traditional Tastes"
The data in these tables forms the empirical basis for our article’s conclusions and was compiled by means of questionnaire. The questionnaires were designed in collaboration with the Fujian Province Liyuan Experimental Theatre (FPLET) and were distributed to audiences along with their free programs.
Performance Review Photographs
Additional photos from the performances reviewed in this volume.
For the print edition of Volume 69, Number 1, please visit us at Project Muse: https://muse.jhu.edu/issue/36176
Volume 68, Number 4, December 2016
Aldridge in Action: Building a Visual Digital Interface
By Anita Gonzalez
Several key volumes locate the digital humanities as a developing discipline, struggling to define itself as both a methodology for research and as an engagement with technology in the service of the humanities. Patrik Svensson, in particular, positions digital humanities as occupying an in-between position that enables dynamism within the humanities so that “it can accommodate many interests and perspectives.” This essay discusses how the development of a digital theatre-history tool became a process for animating multiple sectors of the university, and stimulating their interest in theatre history research. The project of visualizing the careers of underrepresented performers dynamically activated an interdisciplinary team of students, staff, and faculty members around construction of the digital tool.
Supplementary matter to the December issue:
We invite authors of the print issue to provide additional images to support their essays, color versions of the images that appear in print in black and white, or other resources that help enhance their essay and/or extend debate. We include these resources to supplement the December issue:
Digital Historiography and Performance
By Sarah Bay-Cheng
In the wake of the so-called "digital revolution,"...
