Shooting in performance

Volume 73, Issue 2, June 2021

Resisting Theatre

By E.J. Westlake

At the end of every year, I ask my Introduction to Theatre students to consider the resistant value of appropriation and hybridity. We had just read Derek Walcott’s Dream on Monkey Mountain, and my students were particularly struck by the figure of Lestrade, the mulatto corporal who declares that “Roman law is English law.” They engaged intensely with the final scene of apotheosis. My question to them is always whether it is possible to “dismantle the master’s house using the master’s tools” as we consider both Audre Lorde’s famous statement in Sister Outsider and the Caribbean postcolonial reappropriation of Caliban, how he learned the colonizer’s language in order to curse.

We spent the semester examining many forms of resistant art, from Brecht and Boal, the NEA 4, and the difficult work of people such as Ashley Lucas persevering to work with prisoners despite the COVID-19 pandemic. The need to understand the nature of something as elusive as “resistance” became all the more urgent after the election of 2016 as many of my students became the targets of hate. Everywhere, we considered the ways in which theatre artists create work that calls for critical distance...

Cover

Volume 69, Issue 3 (September 2017)

Photo Supplement for "Wayang in Museums: The Reverse Repatriation of Javanese Puppets" by Matthew Isaac Cohen

https://www.jhuptheatre.org/theatre-journal/online-content/issue/theatre-journal-volume-69-issue-3-september-2017/photo

Theatre Journal Volume 69, Number 1, March 2017

Volume 69, Number 1, March 2017

 

Video clips from Reza Abdoh: Theater Visionary, a documentary film by Adam Soch  

The video clips here are taken from the film Reza Abdoh: Theater Visionary, a documentary film by Adam Soch, co-produced by Sandy Cleary. The editorial staff at Theatre Journal is grateful to Adam for providing these clips.

 

Appendices for "Mostly Young Women with Quite Traditional Tastes"

The data in these tables forms the empirical basis for our article’s conclusions and was compiled by means of questionnaire. The questionnaires were designed in collaboration with the Fujian Province Liyuan Experimental Theatre (FPLET) and were distributed to  audiences along with their free programs.

 

Performance Review Photographs

Additional photos from the performances reviewed in this volume.

 

For the print edition of Volume 69, Number 1, please visit us at Project Muse: https://muse.jhu.edu/issue/36176

 

Volume 68, Issue 4, December 2016 cover

Volume 68, Number 4, December 2016

Aldridge in Action: Building a Visual Digital Interface

By Anita Gonzalez

Several key volumes locate the digital humanities as a developing discipline, struggling to define itself as both a methodology for research and as an engagement with technology in the service of the humanities. Patrik Svensson, in particular, positions digital humanities as occupying an in-between position that enables dynamism within the humanities so that “it can accommodate many interests and perspectives.” This essay discusses how the development of a digital theatre-history tool became a process for animating multiple sectors of the university, and stimulating their interest in theatre history research. The project of visualizing the careers of underrepresented performers dynamically activated an interdisciplinary team of students, staff, and faculty members around construction of the digital tool.

READ THE FULL PAPER HERE

Supplementary matter to the December issue:

We invite authors of the print issue to provide additional images to support their essays, color versions of the images that appear in print in black and white, or other resources that help enhance their essay and/or extend debate. We include these resources to supplement the December issue:

Digital Historiography and Performance

By Sarah Bay-Cheng

In the wake of the so-called "digital revolution,"...